The film tells in three episodes the story of three women from three different social class. The first episode of the game anemone Farahani and Siamak Ansari life story of a couple who have been married to the debtor in a difficult position. The second episode is thought to play a Sale and Ashkan Khatibi story writer who lives with her husband, composer but Mtadsh. In the third episode that location plays Amin Hayaei and Pantea shelter worker who lost his hands and his burden is illustrated.
Tina Pakravan was born in 1977 in Tehran. She did a B.A. in movie directing from Tehran Faculty of Cinema and Theater. Her cinematic career was begun with contributing to the magazine Gozāresh-e Film in 1995, followed by her contribution to such magazines as Abrār-e Sinamāyi, Sedā, Durbin, Harakat, and Fakur weekly. In the movie Killing Mad Dogs, directed by Bahram Bayzai, Pakravan was the director’s assistant.Pakravan went to the United States to continue with her education, where she majored in cinema at UCLA. There she made two short movies: Ro’yā (Dream), starring Behzad Farahani and Mozhgan Rabbani. Back in Iran, Pakravan collaborated with Seyyed Zia’eddin Dorri in the production of the TV series Kolāh-e Pahlavi (The Pahlavi Hat) as the directing programmer and director’s first assistant. She went on to collaborate with the director Dariush Mehrjoui as the production manager of the movie Santuri. Pakravan’s third short film was named Gereh (Knot), starring Mohammad-Reza Sharifinia, Sara Khoeniha, Shaqayeq Farahani, and Mehrab Rezayi. Pakravan’s acting debut was the TV series Sāl-hā-ye Mashrouteh (The Years of The Constitution), in which she was also the production manager, stage designer, and script consultant.
